Monday, April 7, 2008

A brief lesson in oil painting





Here's my painting method, in a nutshell:
  1. Draw the outline of the subject with pencil.
  2. Paint the darkest areas of the image first. For example: the cast shadows*, hair and eyebrows.
  3. Paint the mid-tones and fully cover the canvas. I try to apply the right colors and temperatures based on my observation. Generally, the human skin would be warm (lots of red and yellow), the cast shadows would be cool (usually dark green), form shadows* would be a darker hue of the warm skin, stubbles on the chin and sideburns on males would be cool too (bluish or greenish grey). A tiny area right before the skin disappears in the form shadows would be a brilliant hue of red/yellow.
  4. I would wait a few days to let the paint dry. Then, I would make corrections as needed and finally apply the highlights (white mixed with a little yellow/red).
If I've been conscientious throughout the whole process, it would take me about four working days to complete a 16x20 painting!

*Cast shadow is caused by something blocking the light source. A form shadow is the side of an object that faces away from the light source.


Contemplating
16 x 20 inches, oil on canvas board

Saturday, April 5, 2008

Can you hear me now?





Talking on the cellphone is such a commonplace (and some might say annoying) act that one would think that it would be the last subject for a painting. But in real life it somehow allows the bystander to discreetly observe the person, maybe even eavesdrop on the conversation, and capture an intimate smile or laughter which he or she didn't mean to share with the rest of the world.


On the phone
8 x10 inches, oil on Masonite

Sunday, March 30, 2008

Waiting for summer




When I look at this painting, it transports me to the beach; I could feel the summer sun shining, and the sound and smell of the salty waves crashing onto shore.

At the beach
12 x 16 inches, oil on canvas board

Missing my pants




Painting the fingers for me always takes a while. Although hands and fingers may seem less significant than the face (in regards to figure paintings), they can actually tell alot about the subject. The way they're clenched nervously or opened loosely, close to the torso with both palms on the thighs or an elbow rests languidly on the armrest is all part of the body language.
The bedsheet in the original picture had floral prints, but I left them out as it would take too much time.


Too bright
16 x 20 inches, oil on canvas board

Sunday, March 9, 2008

Saturday, March 8, 2008

Paintings in progress - March '08

I'm currently working on three new paintings. As I have to wait for the first layer to dry before I put on the final touches (highlights, corrections, details such as fingers and lips), I usually work on a few paintings at a time. It takes about 1-2 weeks for a thin layer of oil painting to completely dry.
I just moved to a new place; I'm renting a room in a friend's house. So I've been painting in the backyard! Fresh air, natural light... but you have to watch out for bugs getting stuck on the wet canvas.

Sunday, December 9, 2007

Thanks for coming!

My first ever art show went really well! It was a beautiful albeit cool evening so everyone came in their stylish winter boots and scarves. Lots of people attended and many paintings were sold. The most popular painting of the evening is Tibetan Monk, followed by Morning Ritual and Back.

Thanks to everyone who showed up and gave me their support, encouragement and love! I am truly blessed and grateful to have such a supportive and loyal group of friends. See you at the next show!